A slick portrayal of an ice cold angel who likes to kill people for money ! ! ! !

Le Samouraï (1967) directed by Jean Pierre Melville

One can say a thousand things about this film but for most people it would remain a very succinct portrayal of a deadly killer who is known for his ice cold behavior.To get this effect Meville deftly handled Alain Delon for this difficult task of a criminal who is very much aware of all his assigned tasks.Our film's contract killer Jeff Costello is also very cautious about his image and nothing can stop him not even a deadly cat and mouse chase carried out in Parisian metro stations.It is true that "Le Samourai" is a gangster film of french sensibilities but what makes it different from American films of the same genre is that our hero likes to say only perfect things instead of making half baked tall claims as done by most of the actors in American films about crime and criminals.Apart from Alain Delon's taut acting, Samurai boasts of fine performances by François Périer as a determined cop hell bent on arresting Jeff Costello.As a glamorous doll Nathalie Delon looks credible but not so elegant as Kathy Rosier who can be termed as the film's heart and soul.

Franco-American relations will surely get a boost if this film is shown to the concerned people.

I Want to Go Home (1989) directed by Alain Resnais

Before shooting "I want to go home", if Resnais had thought of keeping somebody in mind, it is quite possible that he must have had ruminated about both American and French public. "I want to go home" shows why French fascinate Americans so much. It is a fairly honest portrayal of why French have all the respect for Americans. It is so hard to believe that this comic film was made by Resnais. For the last five decades, he has remained a highly intelligent intellectual cinéaste who has excelled in making difficult films about memories. Watching his films can be likened to a concentrated reading of a "stream of consciousness" oeuvre. Not only will this film charm die-hard francophiles like Paul Auster, Johnny Depp, William Fiedkin, Jim Jarmusch, Hal Hartley and John Malkovich but also fans of comic strips as it is not so often that one comes across a feature film in which there is a happy marriage of cartoons and film. Through this quirky work, Resnais has advocated popular culture as in today's world Mickey Mouse, Snoopy, Charlie Brown and Garfield are as relevant/necessary and useful for everybody as Flaubert, Stendhal and Sartre. "I want to go home" is a light film which provides a multiplicity of meanings for its viewers. On an elementary level it explores cultural differences between French and American people. On another level it is also a tale of an amicable reconciliation process which happens between a father meeting his daughter after many years. This emotional turmoil has been shown in a very dignified indeed subtle manner. Although it might seem odd, this film makes it absolutely clear that French have a penchant for admiring those American artists who have been ignominiously rejected/ignored back home in USA. One classical example is Samuel Fuller. He enjoys a bigger, dedicated fan following in France than in United States of America. "I want to go home" is a film which can be understood by all kinds of artists. It speaks of different arts like cinema, comics etc. This is why Resnais has collaborated with great artists like Enki Bilal, Jules Feiffer and John Kander. The highlight of this film is the fact that it shows how all arts are interrelated as well as mutually beneficial. In "I want to go home" the characters alternate between serious mood and comic mood. This is because people can't always remain funny or serious. Resnais makes us all imbibe a logical lesson that in our daily lives we have to react according to the situation in which we find ourselves. Lastly it is high time that it is said that although Americans might abhor French or vice versa, the truth is that both of them cannot live without each other.

Hard to believe film from the master of US independent cinema.

Ghost Dog: The Way of the Samurai (1999)

directed by Jim Jarmusch

Everyone knows that Jim Jarmusch is a talented director.It is really a matter of mystery that he chose to make a film about ancient Japanese culture.What is of interest is that he has chosen a black actor to play that role. Funny isn't't it ! By showing a lighter side of gangsters'life, Jarmusch wishes to highlight the importance of laughter in our daily lives. I don't know many films where pigeons have played a vital role. In "Ghost dog", birds are the real stars. This is something which can put any human being to shame. Music of this film is exceptionally great. This is one of the reasons why this film is like a musical rhapsody.