At Iwanami Hall, an art house cinema hall in Tokyo this film by René Feret was seen by 35,000 Japanese viewers ! ! ! !

Rue du retrait (2001) directed by René Féret

Rue du retrait is a film which is quite unique to René Féret for various reasons.Firstly,it is a film which he shot in his own area,near his own house.Rue de retrait is the name of the street in 20th arrondissement in Paris where Mr.Féret stays.So in a way the location afforded a lot of familiarity in terms of location to the cinéaste. Secondly,the making of this film will always remain a miracle of sorts for René Féret as no big production house was willing to finance such a brave,absolutely uncommon film in France.So this film was finally made due to René Féret's personal intervention and highly individual efforts. Its visual style was applauded by a great French filmmaker named Bertrand Tavernier who has long been one of René Féret's admirers.For this film René Féret decided to use DV mode as it offered him a lot of creative freedom to adapt a difficult and touchy topic involving sad life of an old lady who was excluded from society.Rue de retrait is a must for all those viewers who wish to enter old people's lives and their eccentric world.

A highly original film about laws and mechanisms of a madhouse ! ! ! !

L'Histoire de Paul (1974) directed by René Féret

French film maker René Féret made his début with this film in 1974.It was his first critical success and applause for it came from famous French philosopher Michel Foucault who compared this film to British master Ken Loach's film "Family Life".This comparison is absolutely valid as like Ken Loach who has been an ardent supporter depicting the cause of English life in his films,René Féret has also championed the cause of Northern France in films.For those who are bothered about story and plot there is not much of hope.The real story of this film,if there is any story,is to be judged by the fact that film's helpless protagonist Paul has been condemned to a madhouse after a failed suicide attempt.Paul's plight is the central focus of the film as in psychiatric ward,he is compelled neither to have any history nor any story.What we see in this film is a sad tale which takes place in a psychiatric hospital whose inmates,doctors live according to their own set of rules.As a scathing attack on the absurdity of system in French mental institutions,L'histoire de Paul won Jean Vigo award in 1975.

Big leap for René Féret : natural depiction of French countryside ! ! ! !

La Communion Solennelle (1977) directed by René Féret

Three year after the critical success of his first film "L'histoire de Paul",René Féret took a big leap with his second film "La communion solennelle" made in 1977.It was a vast panorama for him as he moved from the cloistered confines of a mental house to open air fun and frolic of French countryside.It was also his first encounter with a multitude of talented actors,most of whom were discovered due to this film.If La communion solemnelle is to be remembered,it is for featuring a fortuitous display of a whole gamut of human emotions.It can be claimed that watching the film's protagonists making merry,enjoy and fight with each other,we also feel as if we too have become an integral part of their sentiments.If there is a parallel which can be drawn to compare this film,it will surely concern equating it with French classic film "Rules of the Game" directed by Jean Renoir.This is because like Renoir's classic,this film too has its own inimitable share of eccentricities of its characters.If you are aware of greatness of French culture,you must watch this film as it has traces of Zola,Maupassant and Claude Renoir.

René Féret should have made this film 19 years ago in 1974.

La Place d'un autre (1993) directed by René Féret

In some ways "La place d'un autre" can be called as L'histoire de Paul part 2.As far as René Féret's cinematographic oeuvre is concerned,this film should theoretically have come before L'histoire de Paul as in that film nothing was mentioned as to why a young man named Paul made up his mind to take his own life.All the questions which were left unanswered in L'histoire de Paul are discussed in La place d'un autre. This idea was always hovering on René Féret's mind but due to artistic commitments of different nature he was unable to finish this film as and when he wanted to do so.In this film we are shown how a young boy replaces his lost brother for the sake of his parents.There is also a poignant tale involving a talented soul who overcomes all instances of personal sorrow to emerge victorious.It is true that this film is autobiographical in nature,nevertheless René Féret has avoided all traps which might allude any kind of familiarity to actual events.There is also a concern for authenticity as the film was shot in the same mental institution where René Féret was interned after his personal tragedy.Recommendation : a film to be watched if you have ever lost a dear one in your family.

One day in the life of a French family ! ! ! !

Les Frères Gravet (1996) directed by René Féret

This is undoubtedly one of the most thought provoking films directed by René Féret.Its presence of stars and actors is so brilliant that one can have a jolly good time watching a host of French cinema's versatile actors that too in a single film.It was truly a veritable family affair for René Féret to direct people like Jacques Bonnaffé, Jean François Stévenin,Julien Féret who are a part of his indispensable family of actors.What is important to watch in this film is a story which starts as a family chronicle but with the passage of time transforms itself into an existentialist drama.Family is an important unit of René Féret's films and the highlight of this film is how brothers of a family come together to know each other better.It is not only brothers who come to know each other better but also their wives and children who learn to appreciate the value of their united,close knit family.It has been felt by certain French critics that this film is more close to Cassavates than Pascal Thomas.This is for those viewers to decide who are familiar with the films of both these authors.

An honest film about a family made for all those who respect family life

Baptême (1989) directed by René Féret

In the recent history of French cinema,it has sadly been noted that the concept of films for families has vanished.If there is one film maker who has relentlessly pursued this theme in his films,it is René Féret whose films are a good portrayal of family life.Baptême is a family film which is not made these days.It is about the love of an entire life : love of a husband for his wife,love of a wife for her husband and love of the children for their parents.The dual concepts of happiness and sorrow have been nicely depicted in the form of family life and death.There is a concern for authenticity in Baptême as René Féret has portrayed an area which he know best:North of France.As a matter of fact,apart from Bertrand Tavernier and Bruno Dumont,there are not many filmmakers in France who have been honest and truthful in their depiction of harsh realities of northern France.René Féret is one of the very few French filmmakers who have vividly portrayed North of France.This must be kept in mind when a spectator goes to see this film.

Philippe Vuillemin: Not only an artist but also a good actor

Le Mystère Alexina (1985) directed by René Féret

If ever serious viewers would like to remember one of René Féret's most personal films "Mystère Alexina",it would definitely be for the acting prowess of French comic strip artist Philippe Vuillemin.He is absolutely incredible as the lead character who is confused about his/her sexuality.Philippe Vuillemin is so good that he outsmarts easily acting abilities of other actors especially that of Valerie Stroh.For this film René Féret has taken us to medieval times.Those were the times when French society,like most of the other societies was prudish in nature.In a way,this film is a serious take on sexuality in ancient times which was fiercely guarded.One of the most important questions raised by this film concerns ignorance about sexuality.It must be ascertained whether human sexuality can be dissimulated.Science comes to rescue when religious authorities are challenged to stake a claim about lead character's sexuality.For a film which might appear as a sensual love story to many viewers it is quite an achievement to minimize its risks of achieving an easy to please end.This is precisely the virtue of this film directed by one of French cinema's most under rated authors.

René Féret's tribute to German expressionism and Berlin Alexnaderplatz ! ! ! !

Fernand (1980) directed by René Féret

One close look at French cinéaste René Féret's career would reveal that on a couple of occasions he has made quite unexpected artistic moves. Fernand is one such example of a film which comes as a complete surprise not only for him but also for entire French cinema.This film was made by René Féret after healthy successes of his first two safe films : L'histoire de Paul and La Communion Solemnelle.Fernand is a kind of film which one can describe as a total shock.It is a film about Parisian society's outcasts and it was largely inspired by German expressionism especially by German classic Berlin Alexanderplatz.It is a film in which destroyed innocence is shown in the form of an uncommon love story between a young criminal who is more of a dreamer and a talented dancing girl cum hooker.As Fernand it is a kind of modern day fable some of its scenes have a magic like quality to them.This film is also like a tale of puppets as the destiny of its players is controlled by one another.Fernand is a great film which was sadly ignored by French public upon its initial release.It is a nice film to watch for those film enthusiasts who would like to know René Féret's cinema in a better manner.

Is it a tender love story or more of an autobiographical theater ?

Promenades d'été (1992) directed by René Féret

While watching "Promenades d'été", I am sure viewers would have a tough time ascertaining whether the film is more of a tender love story or a truthful depiction of an autobiographical theater.Whatever might be the case,French author René Féret has made a good film in which an entire troupe of theater actors is shown as one big family.The film is a tender love story as it depicts the evolution of a youngster in the subtle process of love with a lady who is senior to him.Promenades d'été is also largely autobiographical in nature as the depicted incidents are a part of film maker René Féret's memories of youth.There is a good display of clash of emotions as love,jealousy,happiness, joy,sorrow and triumph flow freely helping our film's young protagonist to advance near his goals : personal happiness and professional success. Valérie Stroh is a joy to watch as the lady of our young man's affections.The theatrical performance of our film's young protagonist is an excellent sight.This is a film which must be seen by all enthusiasts of quality theater and good films.